All posts by Cherryl Bird

Cherryl Bird is the founder and editor of Core Magazines, and was an original founder and marketing director of Voice of Montreal (Voice Magazine), now called Vice Magazine. She is the former English editor and advertising executive for Images Interculturelles magazine, an award-winning bilingual (French-English) ethnocultural publication. She has an English/Sociology degree from the University of Toronto and studied Journalism at Humber College. When she's not writing or editing articles for CoreMagazines.com, she creates and executes communications plans and public affairs strategies for the health care and education sectors. Cherryl loves music, travel and all things cultural.

An Interview with Zac Holtzman–Part I

On the Road with Dengue Fever

Dengue Fever embarked on a 12-day, 14-gig, 10-city tour about a week after the U.S. and international release of their latest album The Deepest Lake. Zac Holtzman, the band’s bearded guitarist/vocalist, talked to Core Magazines about their adventures on the road, how they ended up together and some memorable moments they’ve shared.

Continue reading An Interview with Zac Holtzman–Part I

I Love You

The frequent appearance of hearts in his photographs may be interpreted as some kind of sign – a pending miracle, an awakening, a message from the universe – or just one great, big coincidence. Whatever the reason, artist Stephen Hues accepts that hearts just always seem to appear to him or he is drawn to objects that contain them.

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Sara does a Solo

It took a chance meeting and a bizarre collaboration with the elusive Canadian musician Mary Margaret O’Hara to propel performance artist Sara Porter back to the stage after dealing with physical challenges, raising three young boys, and surviving a solid “six years of not dancing at all.”

Continue reading Sara does a Solo

Taking in Strangers

Louise Moyes has a rare ability to connect with perfect strangers and she does so frequently on her journeys to St. John’s from Montreal, taking in the scenery and the people along Newfoundland’s isolated south coast via the Lower North Shore of Quebec and into Labrador, and turns those conversations along the way into pieces of art for the stage.

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